Film enthusiasts can once again immerse themselves in Cannes’ annual convergence of fashion, cinema and culture — a stage where stars are made and reputations are cemented.

The Devil Wears Prada 2 arrives in a fashion industry no longer ruled by glossy magazines but by algorithms and advertisers — making the sequel relevant to the realities of modern luxury culture.

Less than an hour from Paris, the former countryside retreat of the late Karl Lagerfeld and Princess Caroline of Monaco has returned to the market.

As Sanlorenzo marks a decade of arts patronage, the Italian shipyard expands its cultural ambitions with a year-long programme through the evolving platform of Casa Sanlorenzo in Venice.

Chinese contemporary artist Ma Dongmin explores photography, movement and human emotion through his celebrated Blue Fire Horse series.

Watchmaker Rexhep Rexhepi is the first to admit that he could not sell even one watch when he started. Today, one would be lucky to get a watch with his name on it.

For its first partnership with Kyotographie, Longchamp presents Kenyan artist Thandiwe Muriu’s ‘Camo’ series in Kyoto, Japan.

With the launch of the Cubitus Perpetual Calendar 5840P, Patek Philippe introduces grand complications to its newest sports watch line through a highly architectural, skeletonised execution.

An Asia premiere at this year’s Singapore Yachting Festival and a Yacht Style Awards 2026 winner, the super-versatile Leopard 52 is the exciting flagship of the brand’s range of sailing catamarans.

The ANA InterContinental Tokyo proves that in the world’s most populous megalopolis, the smartest move is a tactical one — even with the most modern of rooms.